Photography like Todd Hido? I'm looking for photography

>>2755201

while scouting flickr i found some tight ass night photography in medium format. just search for 120 tungsten emulsions. iirc theres a guy called patrick joust or something like that, he had pretty neat night stuff.

>>2755211
probably unrelated, but isn't that the guy that shoots with a Yashica mat 124?

File: city_pict17a.jpg (53KB, 540x518px) Image search: [Google]

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Titarenko

>>2755217

i think he has mamiya tlr.

>>2755220
This dude's stuff has inspired me for a long time!

>>2755220
That's fucking rad

>>2755201
Nice 240z

File: tumblr_o1o0ukPcF51u1iizqo1_500[1].jpg (30KB, 500x333px) Image search: [Google]

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>>2755201

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File: 81011[1].jpg (219KB, 902x533px) Image search: [Google]

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>>2755201

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me

dehaze into the negatives can smooth out fog sort of like it was long exposed

try it first to make sure you like the look before doing that instead of a long exposure

>>2755201
>Todd Hido
FUCK this is exactly the aesthetic i was going for living in a small town.

>>2755220
this is fucking amazing

File: StreetNight.jpg (732KB, 800x800px) Image search: [Google]

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I took a stab at this stuff a few years ago after finding Todd Hido's work.

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File: VanNight.jpg (570KB, 800x800px) Image search: [Google]

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>>2756281

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File: CollingwoodViewNightSnow.jpg (640KB, 800x800px) Image search: [Google]

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>>2756282

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>>2756281
>>2756282
>>2756283

Breddy nice. Basically indistinguishable from his work. Here's what I've surmised to be Hido's secret formula:

1) Shoot some mundane shit.
2) Shoot it at night or dusk. Fog means bonus points.
3) Don't blow your highlights, especially Zones 8 and 9.
4) ???
5) Profit.

>>2756281
>>2756282
>>2756283

no fog and shit colors. 2muchgrain.

anyone remember the Scandinavian guy who took spoogy photos of office building etc. in fog?
looked like UFOs.

>>2756333
Pentti Sammallahti maybe? Though he is Finnish, not Scandinavian

>>2756347
Finland is a Scandinavian country

>>2756350
Not quite: https://en.wikipedia.org/wiki/Scandinavia

>>2756282
That's fucking beautiful

File: Lifeguard.jpg (61KB, 800x800px) Image search: [Google]

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>>2756331
here u go. still 2muchgrainthosry

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>>2756365

sheeit. now we talkin.
grain a shit here, this is beautiful. can you upload a less compressed version, this one is butchered by artifacts.

File: _MG_6584_2.jpg (135KB, 1000x667px) Image search: [Google]

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I tried once. There isn't enough fog around here to do it more often.

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1/6

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2/6

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3/6

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File: IMG_5986_1.jpg (395KB, 900x600px) Image search: [Google]

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4/6

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File: IMG_5984_1.jpg (261KB, 900x600px) Image search: [Google]

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5/6

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File: _MG_7062_1.jpg (252KB, 900x600px) Image search: [Google]

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6/6
not all of them are during fog time and not all of them are in suburbia.

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>>2756408
>>2756412

top stuff m8.

>>2756421
thanks

>>2756412
This ones really nice

File: cat backyard.jpg (4MB, 5184x3408px) Image search: [Google]

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>>2755201

File: sdfs.jpg (114KB, 1280x830px) Image search: [Google]

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>>2756450
>>2755201

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>>2756450
read the fucking rules, faggot. resize the photo to 1 MB max.

>>2756452
i know the rules.

File: IMG_7802 4c.jpg (137KB, 1000x630px) Image search: [Google]

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>>2756479

bueno

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>>2756479

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>>2756444
thanks

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>>2756480
gracias :^)

I also have that, it fits a bit less in the urban theme but there's the fog and all that
also it hasn't been taken on film as apposed to the last two pictures

>>2756479
>>2756482
Those are my first try at scanning my pictures with a DSLR, sorry for all the dust and the fingerprints on them

File: R0003640 (Custom).jpg (128KB, 1000x662px) Image search: [Google]

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>>2756495
give up already

>>2756495

The RPT is the other way, buddy.

File: IMGP6003.jpg (333KB, 1000x664px) Image search: [Google]

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>>2755201
lmao the first day i bougth a tripod i went out and did some long exposure and this is basically all this guy is

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File: Fog.jpg (151KB, 999x999px) Image search: [Google]

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>>2756367
Sry anon, that's all I have on this computer. The original scan is on my external HD across the Pacific.

>>2756356
Thanks anon

>>2756412
This one dude! SO rad!!!

>>2756644
Next time level your tripod.

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File: Fog.jpg (84KB, 708x708px) Image search: [Google]

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>>2756928

>>2756928
>>2756930

dudee srsly. where was this taken?

>>2755220
Really fucking heavy. Ideas to achieve this look? ~5-10 sec exposure while periodically covering/uncovering the lens?

File: 57_swiss010.jpg (34KB, 700x560px) Image search: [Google]

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>>2755201
This photo somewhat reminded me of this project: Big Black Nothing
Really fucking cool idea " An exploration of boundaries. Its basically walking until i get scared, or cant go any further...take the photo and go back... "
http://www.emilkozak.com/photography/projects/big-black-nothing/

>>2756932
First one Vancouver, second one shitty suburb of St. Louis.

>>2756934
I dunno but that would be my guess. However I think an exposure more in the 1+ minute range. I've been meaning to try experimenting with it. Maybe I'll give it a try tonight at my local train station.

>>2756934
Just read a few interviews with him. Apparently the exposures are a couple of minutes long. Dunno how he kept some parts like the hand on the railing so crisp and apparent. I think some form of lens covering/multiple exposure is also at play.

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>>2755220
I saw something similar in video form on vimeo, very weird and cool. I remember the author talking about setting transparency at 1% and overlaying like 100 clips or something.

>>2757094
can you find it ?

File: andalusia.jpg (86KB, 960x638px) Image search: [Google]

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thought this would fit in with the misty thing. although not exactly foggy.

>>2757280

its alright anon, but the pp is dull, there is a red cast in the mid-high tones fucking shit up.

File: may-2012-007.jpg (2MB, 3264x2448px) Image search: [Google]

2MB, 3264x2448px

Come over here to Daly City, CA. Literally foggy every day and full of old 1950s homes.

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>>2758206

modern cars shitting photos up everytime.

File: _MG_6635.jpg (152KB, 981x654px) Image search: [Google]

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>>2758207

lolwut.

File: FogDalyCity-778679.jpg (44KB, 1024x768px) Image search: [Google]

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More Daly City

>>2758224
That cut off car on the left is the most annoying thing I've seen today.

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like this?

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>>2758273

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>>2758275

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>>2755220
speaking of which, Ted Forbes' first video in his art series is about him it seems

>>2758275
>>2758277
Thanks for the contribution Ken.

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Somebody told me to post this round here. And yeah, noise...

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>>2758318
ken?

>>2756283
>>2756282
>>2756281
vancouver? more specifically kits?

>>2758384
Bingo. 10th ave area

>>2755220
Holy shit

>>2758295
well not quite but at least there's a short interview with him

https://www.youtube.com/watch?v=L3IgZUJTlOo

>>2758887
>never seen long exposure effect before

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>>2759406
His work isn't just a typical long exposure effect. Those images are very well thought out and executed with a particular vision in mind that is only accomplished by manipulating the long exposure effect.

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>>2759443
yes, I agree. Practically though, it is "a typical long exposure effect". It is interesting work. I just don't get the holy shiz, much good, so photography etc.

>>2755220


How did he do that? Mirin

>>2761127
instead of a continuous exposure it was broken into shots

could have put a fan or something in front of the lens, could have sat there pressing the shutter repeatedly

>>2761128
>>2761127
No I just saw an interview of him, it was a continuous exposure
The story is that in the beginning of the 90's in Russia, the subway was the only way to go to work/around the city
So he would just stand in front of the stairs with his hasselblad and take long exposures
The people walking are advancing very slowly because there is so many people, so the would take one step or two, stop, take another step, stop, etc, which makes them visible when they stood still long enough, but otherwise they just go back in this smudge of people
Sometimes they would put an hand on the rail for a few seconds also, and you can see that too

>>2756406
>>2756376

How do you expose your photos? Ive seen a lot of people mimic the style (and I think you've managed to do a pretty good job) but they can't nail the in-between of light that is represented in Hido's work...like, the sky is a bit more lit, but it's still dark, certainly not as bright as one of those cliche long exposures of a busy street or highway at night. In Hido's pictures (and yours too) the long exposure is pretty gentle and not cringe like it typically is

>>2762151
>>2756376 is not mine. All others linked to >2765406.
Well, it is not something that you handle just by being careful in getting
the proper exposure.
I always bracket my exposures in -2, -1.5, -1, 0, 1, 1.5, 2, 2.5 shots, so I
can be safe on post.
But, the most important thing is to choose your scene wisely in terms of
contrast. It is basically a zone system application. You have to know
1) the dynamic range of your sensor and
2) the post process you are going to use (I use the latest adobe camera raw
in 2012 process and the VisionLog profile) -- so that you can estimate what
you can salvage tone-wise afterwards.
3) and then decide your middle gray point (this is not always possible in my
experience, so you necessarily go by estimating your way through) so that you
can expose for the darkest and brightest areas in a way that are not outside the
given gamut (determined by sensor and process).
4) Always shoot in raw (I think this is redundant to mention, but anyway...)
5) Always shoot at base iso (in my case, I use 100iso as base iso, even though
this is debatable).
6) Try to make use of your lens's optimal aperture in sharpness, chromatic
aberrations, etc. In my case, which is usually the case, its somewhere
between f8 to f16. This "rule" can be restrictive, and sometimes you have to
work past it.

As you can imagine all of the above are not always, or rather are rarely possible
to get right. But through lots and lots of practice, you slowly get to do it faster
and more intuitively.
Especially when you commit in working with the same camera/lens/process. If
you move to a better camera afterwards, and after a period of adjustment, you
can get much better results even more effortlessly.

Long story short, it takes practice and a more or less stable point of reference/practice.

>>2762205
Not the guy that you were talking to but this is extremely helpful

When you talk about bracketing exposures does that mean that you stack exposures or just that you take one at each point to make sure you've got usable exposures?

>Long story short, it takes practice

It was incredibly foggy out a few days ago and I missed it. Any tips on scouting a good location while not foggy so I'm not out there driving around scrambling to find a good shot?

>>2762205
I be working with film man, like 4 of your 6 tips are on post process. Im really just wondering like basic ballpark exposure settings

>>2762214
I'm glad this is helpful.
No, I do not stack images. I don't like the hdr effect
and I've tried it a lot and in many different ways. It
just doesn't look good enough for me. I only use it when
there is no other option and on low budget clients. And
I definitely not use it in my personal projects. Anyways,
if you get to the point of intuitively knowing the above
mentioned zone system, you won't feel the need to use
hdr.

The best thing to do about locations is to not think about it as
a one-off process. Even if I usually carry my equipment with me,
I rarely get a shot that fits in my series from the first take. I
always take notes (be it actual, photographic or mental) and
revisit the locations that interest me again and again, in different
months within the year and in different daylight hours. So it is
actually a work in progress until you get the shot that makes
you feel "ok, I've got this to its end" and then you move on.
But you can certainly also go crazy and never stop revisiting
a certain location no matter what you get. I've got several of
those actually.
So, you have to keep notes on each location that you think has
potential and, this is vital, not get lazy when you kinda feel that the
conditions might be right for what you are looking for and actually
go out and work your thing. Also helpful with this process is that
you eventually take shots from multiple angles through which you
get to refine your frame more and more, so that afterwards you know
exactly where to set up and all and feel more confident about where
you are getting with it.
This is definitely not always the case but during winter, you get more
chance of a foggy night when daytime temperature is high (higher than
the usual winter day). This might not happen for a whole winter though...
Another thing you can try (my fav) is to go out shooting a few hours
before sunrise. In either case, having kept notes is key.

>>2762304
film is somewhat different than digital in terms of long-expo.
In digital, as you can see in the exifs, it is usually something
between 30s and 90s exposures, depending on the number
and direction of the light sources in the scene.
In film, you have to find the spec sheet of the manufacturer
for the specific film you are using and see the exposure
compensation for long-expo. If I remember correctly, for kodak
portra 160, you take your meter reading and multiply by 5 or 6.
But I'm not sure, you have to check with the spec sheet of
manufacturer. Anyway, with color negatives and in a scene with
one or two medium output light sources, I would go with 4 to 6
mins and I wouldn't be afraid to go even 10 or 15 if I was not
too bored of waiting out there. Color neg is extremely forgiving.

What I forgot to mention before is that, especially on foggy nights,
I usually place my grey point somewhere in the sky. In >>2756406 for
example, I assumed as my grey point the area of the sky in the top
left (spot metering) and then a reading with the meter holding it above
my head with the diffusion bulb on. This is not an exact science kind
of thing, and you can do it differently, but it usually works for me (+the
bracketed expos for safety). If you don't have a handheld meter, you
can take a reading off hour hand (palm), with your hand facing towards
the brightest light source.

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>>2762352
some extra pics
1/4

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>>2762371
2/4

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>>2762378
3/4

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>>2762380
4/4

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>>2755221

>>2755765

>>2762304
If you're doing with exposures in the minutes your margin for error is pretty forgiving.

For example if the correct exposure at a given aperture is 2 minutes a one stop over/underexposure gives you breathing from 1 to 5 minutes. If you're using forgiving color neg film this won't even be a problem.

Once your doing 15 minute exposures you can be anywhere between 8 to 30 minutes and it will work out fine.

Just get out and experiment. A Sekonic l-358 will give you very accurate readings all the way to 30 minutes if you'd prefer to go that route

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Photo from work on a mobile.

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>>2762789
Wrong thread?

>>2762793
Well fuck

as a non photographer, why are his photos popular or good?

>>2762980
What do you feel when looking at them?

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>>2757189
don't know if it's the same, but there's a three-part doc on youtube

pt1
https://www.youtube.com/watch?v=zMxOqvIBaDU&

pt2
https://www.youtube.com/watch?v=NrhR4Sk-dsE

pt3
https://www.youtube.com/watch?v=24nY4xI-Vbo

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>>2758224

Daly City... I remember going to San Francisco for a few days, the last weekend I was in Cali... I went to the de Young Museum and the Legion of Honor in the morning-early afternoon (those are photo tours in themselves, let me tell you, and meditating for 20 minutes on the front lawn of the Legion of Honor with the Golden Gate in sight was SO cash), Golden Gate Park (my favorite place in there was the Rose Garden) mid-afternoon, then the Rickshaw Stop at night to see some electropop band, all in cloak and wig, where I almost took a beautiful mulatto from Rio out to stroll around the midnight before her bitch friend pulled her back in the taxi (I do think she stole the ring off my finger as a keepsake, because I never found it after that haha). Hotels and campsites were so fucking expensive, so I decided to rack out in my car. Didn't want to do it in city limits only to get caught by a cop or a thief, so I browsed Google Maps for a place near there (I ate dim sum in Richmond the next day). San Bruno had no campsites and there was no parking on the beach area north of the bay, so I headed south. I found a place btw Daly City and Pacifica called Mussel Rock Park, where paragliders go to take off. It was in a quiet residential neighborhood, and not a soul was there. When I woke up, I saw something similar to pic except foggy, with a lone fisherman's car next to me. After looking out for a while, I decided to call my mother and father for the first time in a long time to tell them how I was doing, then I rode back home.

tl;dr seeing your one pic of the fog from Daly City gave me the above feels. Don't ever give up your craft, anon, no matter how shitty your technique might be, because connections like mine to your photo are why the art is still so relevant, even if your art is not verbally appreciated all the time.

>>2764240

looks pretty good. post more.

>>2764554

wow hes so articulate and concise, but poetic at the same time. i wish american photogs came like this at lectures, and not like fumbling idiots, which is most of the time in practice.