Why can't black people make more music like this? The s

>>53447914
Because white people invented sampling as a way to hold them back, similar to how welfare makes black people dependent on the government and resort more to criminal acts.

Bait aside, this really is one of the greatest songs ever written. And the guy who wrote it wasn't even a professional musician.

>>53448031
>professional musician
being this delusional

>>53447946
>white people invented sampling
just lol.

>>53447914
>Why can't black people make more music like this?

because schools (especially in poor urban areas) don't have the budget for decent music programs anymore

>>53447914
and to answer your question its primarily the turn up days, the majority of people are into fucking garbage shit like rae sremmurd and prolly haven't even heard of people like curtis mayfield unfortunately, its truly depressing in some ways flylo makes some sick music but its not really like this, its got some jazz fusion tho

Music progresses, and unfortunately we'll never have another curtis. There is still a ton of talent out there. 20-30 years from now people will be saying the same thing about someone like, flying lotus

>Why can't black people make more music like this?

You're not looking hard enough.

>>53450516
this. OP stop making corny generalized statements.


>le black pple arent doing wut i want them 2 do.

>>53447946
>>>/b/
>>>/pol/

>>53450099
Musique concrète, (French: “concrete music”), experimental technique of musical composition using recorded sounds as raw material. The technique was developed about 1948 by the French composer Pierre Schaeffer and his associates at the Studio d’Essai (“Experimental Studio”) of the French radio system. The fundamental principle of musique concrète lies in the assemblage of various natural sounds recorded on tape (or, originally, on disks) to produce a montage of sound. During the preparation of such a composition, the sounds selected and recorded may be modified in any way desired—played backward, cut short or extended, subjected to echo-chamber effects, varied in pitch and intensity, and so on. The finished composition thus represents the combination of varied auditory experiences into an artistic unity.

>Diamond in the Back by Curtis Mayfield
>Actually "Be Thankful" By William DeVaughn
>One of the most rage inducing mislabels ever

Shit OP, find the correctly labeled youtube and get your shit together.

Anyway, great song. I like this reggae cover too
https://www.youtube.com/watch?v=meiNMQTgjfw

>>53452157
And this reggae cover too
https://www.youtube.com/watch?v=AhcASGSHSt8

>>53452157


Mind blown. Thank you, anon. I stand corrected.

From what album is op's song?

>>53453367
Blue Lines

File: JI9ZFVI.jpg (140KB, 651x961px) Image search: [Google]

140KB, 651x961px

>>53447914

>i'm not even black
would've never guessed